Monica Bellucci talks about motherhood and “social roles” for Luca Guadagnino-produced film ‘Ketticè’ at Locarno

Monica Bellucci appeared at the Locarno Film Festival to discuss her role in Ketticè, a second feature produced by Luca Guadagnino, as the Italian actress reflected on character dynamics and the social pressures shaping the film’s story. In remarks reported by The Hollywood Reporter, Bellucci characterized her character as a mother who yells, describing the performance as tied to how individuals are pushed into roles they may not question.

Bellucci’s comments at Locarno included a discussion of femininity and identity. She said her character has “forgotten about her femininity,” framing the role in terms of what happens when a person’s sense of self is displaced by expectations and daily demands. The account was presented in the context of Bellucci’s broader engagement with the project’s themes.

The interview also included Bellucci’s praise for the film’s younger performers. The Hollywood Reporter reported that she lauded the two young stars for their work in the project, positioning their performances as central to the film’s effect for festival audiences.

Bellucci likewise credited filmmaker Giovanni Tortorici, described in the report as the film’s director, for the work leading to Ketticè. The remarks placed Tortorici’s second feature at the center of the filmmakers’ collaboration around Guadagnino’s role as producer, with Bellucci’s support underscoring industry recognition of the production’s cast and creative choices.

The exchange at Locarno came as films continue to rely on festival platforms for visibility with critics, distributors, and international audiences. Bellucci’s presence, alongside the film’s international production profile and Guadagnino’s involvement, highlighted how casting and auteur partnerships often operate as part of a project’s public introduction during major European showcases.

While the report provided character impressions and credited the cast and director, it did not lay out additional plot specifics or explain the full narrative arc of Ketticè. The remarks focused on Bellucci’s interpretation of the mother character’s outward behavior and internal self-concept, along with acknowledgments of performance work by the younger actors and Tortorici’s direction.

Festival coverage of this kind typically serves as an early public record of how major participants describe a film’s intentions before broader release. For Ketticè, Bellucci’s comments set a framing for audiences and press that emphasize character psychology and social conditioning, rather than formal technical details or release logistics.