Eva Jakobsen, co-founder of Copenhagen indie Snowglobe, joins Nordisk Film

Eva Jakobsen, a Copenhagen-based producer and co-founder of the independent company Snowglobe, has joined Nordisk Film, Deadline reported on Aug. 20, citing Jakobsen’s career record and the companies’ personnel move. The announcement places Jakobsen, who co-founded Snowglobe in 2015, within Nordisk Film as she continues her work across European art-house and international productions.

Deadline described Jakobsen as a veteran producer whose credits include projects connected to established filmmakers and companies, including Joachim Trier’s The Worst Person In The World and Ralitza Petrova’s Godless. The report also credits Jakobsen with work on Lust, listed with a 2026 release year in the coverage.

The report says Jakobsen most recently worked through her own production company, Mater Pictures, before the Nordisk Film move. That detail situates her shift as a transition from producer-led, company-based development and production activities into a role within a larger, established studio.

Snowglobe, the indie outfit Jakobsen helped found in 2015, is described in Deadline’s account as a Copenhagen-based company tied to the kind of adult-oriented European filmmaking associated with the cited credits. Jakobsen’s continued presence in the European production ecosystem suggests her experience will be carried into Nordisk Film’s slate and production operations, though the Deadline report does not specify particular assignments or project titles tied to the move.

Deadline’s publication of the news also includes a description of Jakobsen’s role as a co-founder and producer, but it does not provide a job title, departmental placement, or a list of Nordisk Film productions that she will oversee or develop. The report similarly leaves the “most recent credit” entry truncated, and no further details were included in the portion of the coverage available for this write-up.

In the broader context of film and television production in Europe, personnel moves like this can affect how development pipelines are staffed, how financing and rights are assembled, and how long-running creative relationships are managed. For audiences, the practical effect is typically indirect, showing up later through which films and series reach production and distribution.

Nordisk Film, Jakobsen’s new employer in this report, has not been separately detailed in the available record provided here regarding scope, timeline, or specific production responsibilities. As with many industry personnel announcements, the next confirmation points are likely to come through company statements, production credits on released projects, and festival or industry coverage as the year progresses.